Voodoo Johnson Into the Red EP Review
I was sleeping in my normal refrigerator box in the alley between the Catholic Church and the nunnery. I sleep there because sometimes the bad nuns get horny and are looking for a quick lay. I am all too happy to oblige. However, this night was bit different than most because I heard a lot of shouting and screaming in the nunnery. A window was opened and out was tossed Into The Red, by Voodoo Johnson.
I picked up the album and heard Sister Mary Rooney screaming "You get your self to confession right now young lady. There will be no practicing of Voodoo in this nunnery." I had to do something, this opportunity was too good to let go. So I yelled up, "Young lady, don't let the Catholic Church pollute you, come down here and I'll pollute you." To my surprise she did. Her name was Alexis and we went back to my mom's house and I put on Into the Red.
The first track The Longest Day I Ever Wasted has a great opening blues riff, where Alexis started to dance around the support pillar and slowly remove her clothing. At this point, I had already determined Voodoo Johnson was my favorite band ever, but I am a rock journalist, so I needed to listen to the whole album.
The band kicks in on The Longest Day I Ever Wasted and the dirty blues riff was perfect for her bending over in front of me and gyrating her little Cross laden panties in my face. The drums and bass kept my loins throbbing as Alexis wiggled her hips around mine. The sexually suggestive lyrics ("You're the sweetest thing I ever tasted.") were the perfect backdrop as Alexis flipped upside down and circled her area around my face.
Bad Habit has a freight train barreling down the tracks opening and that is when my clothes started coming off. Her slowly removing my pants and continuing to dance to the bass line. Her hips were perfectly swaying to this rhythm section and were mesmerizing me. The vocal stylings of Kev encapsulating the heightened sexual energy and the urgency of the lyrics. The song breaks down around the 2:45 mark into just drums and vocals with guitars and the other instruments coming in slowly. Alexis took her time here removing my shirt and running her icy hands up my warm body.
I told her "I want to smack that ass" when Seven Years came on. It has a nice slow opening that helped back me away from the edge. Thankfully, this slow part doesn't really last and gives way to a chugging guitar riff that allowed us to keep the rhythm. The vocals are lighter and more pop oriented with hooks galore. It felt like a love song to us and the pacing was brilliant. Fast slow, fast slow, and the music had the same pace.
Alexis wasn't content to have me just connected via the private parts. She slipped off my member in enough time for the Another White Lie to come on. This song is a radio hit for most rock outlets in the US. It has a great pain and cry for help. The music backs this sense of emergency and pain. I felt it too because while Alexis was brilliant at dancing and using her forbidden fruit, her oral skills left in a lot of teeth scrapping and nails.
The final song on the EP is Inhale another song with a blues riff and drums opening that drops out to just a guitar riff. This song has a Sebastian Bach Angel Down feel. Alexis and I were running head first into an ocean where waves and waves of euphoria were about to crash over our naked bodies. Inhale's crunching bluesy guitar helped provide the perfect background for the hot, sweaty coitus.
Around the 3:15 mark of Inhale the music again drops out. It crescendos to a loud scream by Kev, Alexis, and myself. The rest of the song was spent in post-sex with twitching loins and quivering bodies. Alexis whispered into my tired ear "Let's listen to it again."
Voodoo Johnson's ep Into the Red is a good effort. It adheres too much to a very similar formula of fast opening, song breakdown, speed up music, slow it down, race to the finish. The formula works for five songs, but a full length effort might become monotonous and overused. The EP is a solid effort and Alexis and myself fully endorse it.
You can check out more about Voodoo Johnson, including tour dates, from their MySpace site. You can buy Into the Red on iTunes.
I picked up the album and heard Sister Mary Rooney screaming "You get your self to confession right now young lady. There will be no practicing of Voodoo in this nunnery." I had to do something, this opportunity was too good to let go. So I yelled up, "Young lady, don't let the Catholic Church pollute you, come down here and I'll pollute you." To my surprise she did. Her name was Alexis and we went back to my mom's house and I put on Into the Red.
The first track The Longest Day I Ever Wasted has a great opening blues riff, where Alexis started to dance around the support pillar and slowly remove her clothing. At this point, I had already determined Voodoo Johnson was my favorite band ever, but I am a rock journalist, so I needed to listen to the whole album.
The band kicks in on The Longest Day I Ever Wasted and the dirty blues riff was perfect for her bending over in front of me and gyrating her little Cross laden panties in my face. The drums and bass kept my loins throbbing as Alexis wiggled her hips around mine. The sexually suggestive lyrics ("You're the sweetest thing I ever tasted.") were the perfect backdrop as Alexis flipped upside down and circled her area around my face.
Bad Habit has a freight train barreling down the tracks opening and that is when my clothes started coming off. Her slowly removing my pants and continuing to dance to the bass line. Her hips were perfectly swaying to this rhythm section and were mesmerizing me. The vocal stylings of Kev encapsulating the heightened sexual energy and the urgency of the lyrics. The song breaks down around the 2:45 mark into just drums and vocals with guitars and the other instruments coming in slowly. Alexis took her time here removing my shirt and running her icy hands up my warm body.
I told her "I want to smack that ass" when Seven Years came on. It has a nice slow opening that helped back me away from the edge. Thankfully, this slow part doesn't really last and gives way to a chugging guitar riff that allowed us to keep the rhythm. The vocals are lighter and more pop oriented with hooks galore. It felt like a love song to us and the pacing was brilliant. Fast slow, fast slow, and the music had the same pace.
Alexis wasn't content to have me just connected via the private parts. She slipped off my member in enough time for the Another White Lie to come on. This song is a radio hit for most rock outlets in the US. It has a great pain and cry for help. The music backs this sense of emergency and pain. I felt it too because while Alexis was brilliant at dancing and using her forbidden fruit, her oral skills left in a lot of teeth scrapping and nails.
The final song on the EP is Inhale another song with a blues riff and drums opening that drops out to just a guitar riff. This song has a Sebastian Bach Angel Down feel. Alexis and I were running head first into an ocean where waves and waves of euphoria were about to crash over our naked bodies. Inhale's crunching bluesy guitar helped provide the perfect background for the hot, sweaty coitus.
Around the 3:15 mark of Inhale the music again drops out. It crescendos to a loud scream by Kev, Alexis, and myself. The rest of the song was spent in post-sex with twitching loins and quivering bodies. Alexis whispered into my tired ear "Let's listen to it again."
Voodoo Johnson's ep Into the Red is a good effort. It adheres too much to a very similar formula of fast opening, song breakdown, speed up music, slow it down, race to the finish. The formula works for five songs, but a full length effort might become monotonous and overused. The EP is a solid effort and Alexis and myself fully endorse it.
You can check out more about Voodoo Johnson, including tour dates, from their MySpace site. You can buy Into the Red on iTunes.
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